Uniting Music and Poetry in Twentieth-Century Spain

In Uniting Music and Poetry in Twentieth-Century Spain, Nelson R. Orringer enriches and deepens interpretations of twentieth-century sung poetry by comparing the original poet's vision to the composer's interpretation. Orringer uses both literary and musical analysis to reveal new understandings and appreciations of poems set to music.

In Uniting Music and Poetry in Twentieth-Century Spain, Nelson R. Orringer uses both literary and musical analysis to study sung poems in twentieth-century Spain. In nine chapters, each focusing on an individual sung poem, song cycle, or various poems set by the same composer, Orringer enriches and deepens interpretations of the art-songs by comparing the poet''s vision to the composer''s. In examining composers such as Falla, Turina, Mompou, Toldrà, Rodrigo, Montsalvatge, and Rodolfo Halffter, Orringer shows that Spanish art-song is an exceptional product of Spain’s Silver Age and reveals a new way to understand and appreciate poems set to music in twentieth-century Spain.

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