Thomas Pynchon’s Animal Tales

Through examining case studies of animal representation in Thomas Pynchon’s works, Hatooka illuminates how radically and imaginatively the legendary novelist depicts his empathy for nonhuman beings and conducts conducting a comparative study of Pynchon’s narratives and his contemporary documentarians and thinkers.

Throughout his works, Thomas Pynchon uses various animal characters to narrate fables that are vital to postmodernism and ecocriticism. Thomas Pynchon’s Animal Tales: Fables for Ecocriticism examines case studies of animal representation in Pynchon’s texts, such as alligators in the sewer in V.; the alligator purse in Bleeding Edge; dolphins in the Miami Seaquarium in The Crying of Lot 49; dodoes, pigs, and octopuses in Gravity’s Rainbow; Bigfoot and Godzilla in Vineland and Inherent Vice; and preternatural dogs and mythical worms in Mason & Dixon and Against the Day. Through this exploration, Keita Hatooka illuminates how radically and imaginatively the legendary novelist depicts his empathy for nonhuman beings that live somewhere between the civilized and uncivilized, the tamed and untamed, and the preternatural and supernatural. Furthermore, by conducting a comparative study of Pynchon’s narratives and his contemporary documentarians and thinkers, Thomas Pynchon’s Animal Tales leads readers to draw great lessons from the fables that Pynchon offers to stimulate our ecocritical thought for tomorrow.

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