Theatre and the World : Performance and the Politics of Culture
Book Details
Format
Hardback or Cased Book
ISBN-10
0415092159
ISBN-13
9780415092159
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 21st, 1993
Print length
266 Pages
Weight
408 grams
Dimensions
23.60 x 15.60 x 2.00 cms
Product Classification:
Theatre studiesCultural studies
Ksh 27,900.00
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In this passionate and controversial work, Rustom Bharucha presents the first major critique of intercultural theatre from a `Third World' perspective.
In this passionate and controversial work, director and critic Rustom Bharucha presents the first major critique of intercultural theatre from a ''Third World'' perspective.
Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century''s most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism.
Theatre and the World bravely challenges much of today''s ''multicultural'' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.
Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century''s most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism.
Theatre and the World bravely challenges much of today''s ''multicultural'' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.
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