The Choreopolitics of Alain Platel's les ballets C de la B : Emotions, Gestures, Politics

Book Details

Format Paperback / Softback

Book Series Dance in Dialogue

ISBN-10 1350233579

ISBN-13 9781350233577

Publisher Bloomsbury Publishing PLC

Imprint Bloomsbury Academic

Country of Manufacture GB

Country of Publication GB

Publication Date Apr 22nd, 2021

Print length 280 Pages

Weight 446 grams

Dimensions 15.60 x 23.50 x 1.90 cms

Product Classification: Theatre studies Choreography

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Ksh 4,700.00

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Les Ballets C de la B was founded by Alain Platel in 1984. Since then it has become a company that enjoys great success at home and abroad. Over the years, Platel has developed a unique choreographic oeuvre. His motto, ‘This dance is for the world and the world is for everyone', reveals a deep social and political commitment. Through the three topics of emotions, gestures and politics, this book unravels the choreopolitics of Platel’s Les Ballets C de la B. His choreopolitics go beyond conveying a (political) message because rather than defending one opinion, Platel is more concerned about the exposure of the complexity within the debate itself. Highly respected scholars from different fields contribute to this book to provide an interdisciplinary perspective on the intense emotions, the damaged narratives, and the precarious bodies in Platel’s choreographic oeuvre.

Les Ballets C de la B was founded by Alain Platel in 1984. Since then it has become a company that enjoys great success at home and abroad. Over the years, Platel has developed a unique choreographic oeuvre. His motto, ‘This dance is for the world and the world is for everyone'', reveals a deep social and political commitment.

Through the three topics of emotions, gestures and politics, this book unravels the choreopolitics of Platel’s Les Ballets C de la B. His choreopolitics go beyond conveying a (political) message because rather than defending one opinion, Platel is more concerned about the exposure of the complexity within the debate itself.

Highly respected scholars from different fields contribute to this book to provide an interdisciplinary perspective on the intense emotions, the damaged narratives, and the precarious bodies in Platel’s choreographic oeuvre.

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