Run It Like a Business : Strategies for Arts Organizations to Increase Audiences, Remain Relevant, and Multiply Money--Without Losing the Art
Book Details
Format
Hardback or Cased Book
ISBN-10
1637744382
ISBN-13
9781637744383
Publisher
BenBella Books
Imprint
BenBella Books
Country of Manufacture
US
Country of Publication
GB
Publication Date
Feb 6th, 2024
Print length
248 Pages
Weight
434 grams
Dimensions
16.10 x 23.70 x 2.70 cms
Product Classification:
Business & management
AI Summary
Ksh 4,850.00
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Featured on Publishers Weekly 2024 Announcement Issue. TEDx speaker Aubrey Bergauer -- ''the Steve Jobs of classical music'' -- reveals how to run a successful arts business in the post-pandemic era, adapting for-profit methods for not-for-profit goals. In the US alone, the arts are a £763 billion sector whose 100,000+ organizations serve almost every community in the nation. There''s no reason arts organizations should struggle to make ends meet. And now, with arts-tested strategies from Aubrey Bergauer, they won''t. This foolproof guide shows how to reach new levels of engagement -- while always putting art first. Running your arts organization like a business is your path forward to: Grow audiences and keep them coming back again; Make our organizations more inclusive; Get younger attendees in the seats and on the donor rolls; Generate millions more dollars in revenue; Continue to create the art we love -- without the stress of figuring out how to afford it. Just because arts organizations are non-profits doesn''t mean they shouldn''t make money; it means the money they make goes back to fund the mission -- whether that''s music, visual arts, theatre, dance, or one of many other mediums that enrich our lives. The for-profit world knows how to achieve success across customer engagement, user experience, company culture, the subscription economy, technology and media, new revenue streams, and brand relevance. Run It Like a Business provides a powerful, proven framework to help all arts organizations revitalize their economic engines and ultimately serve the arts and its patrons.
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