Constructing and Deconstructing National Identity : Dramatic Discourse in Tom Murphy’s "The Patriot Game" and Felix Mitterer’s "In der Loewengrube"
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Book Details
Format
Paperback / Softback
Book Series
Europaeische Hochschulschriften / European University Studies / Publications Universitaires Europeennes
ISBN-10
3631581114
ISBN-13
9783631581117
Edition
New
Publisher
Peter Lang AG
Imprint
Peter Lang AG
Country of Manufacture
DE
Country of Publication
GB
Publication Date
Sep 29th, 2008
Print length
272 Pages
Weight
366 grams
Dimensions
15.00 x 21.00 x 1.60 cms
Product Classification:
The arts: general issuesLiterary studies: post-colonial literature
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The aim of this study was to expose the constructed nature of national identity in two dramatic texts: The Patriot Game (1991) by Irish playwright Tom Murphy and In der Löwengrube (1989) by his Austrian counterpart Felix Mitterer. Utilizing a multidisciplinary approach combining linguistics, literature, history and cultural studies, this thesis looked at similarities and dissimilarities in the construction and deconstruction of national identity in the two plays. Ruth Wodak et al.’s linguistic approach developed in the work on Critical Discourse Analysis describing the construction of national identity in non-literary texts provided a framework, which has been modified for the analysis of the two dramatic texts under consideration.
The aim of this study was to expose the constructed nature of national identity in two dramatic texts: The Patriot Game (1991) by Irish playwright Tom Murphy and In der Löwengrube (1989) by his Austrian counterpart Felix Mitterer. Utilizing a multidisciplinary approach combining linguistics, literature, history and cultural studies, this thesis looked at similarities and dissimilarities in the construction and deconstruction of national identity in the two plays. Ruth Wodak et al.’s linguistic approach developed in the work on Critical Discourse Analysis describing the construction of national identity in non-literary texts provided a framework, which has been modified for the analysis of the two dramatic texts under consideration.
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