Cezanne and the End of Impressionism : A Study of the Theory, Technique, and Critical Evaluation of Modern Art

by Richard Shiff

Book Details

Format Paperback / Softback

ISBN-10 0226753069

ISBN-13 9780226753065

Publisher The University of Chicago Press

Imprint University of Chicago Press

Country of Manufacture GB

Country of Publication GB

Publication Date Apr 15th, 1986

Print length 336 Pages

Weight 596 grams

Dimensions 24.00 x 17.00 x 1.80 cms

Product Classification: Art & design styles: Impressionism & Post-Impressionism Painting & paintings

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Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.

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